The first Great Uncle Helmer show of the 2010 Toys For Tots drive was a big success. Thanks to everyone who came out and enjoyed it. I certainly did. (Complete set list) Highlights?
Like most songwriters and musicians in general, I most love playing new stuff that I'm really excited about. Karl's new song "Great Big Decisions" is really terrific to the extent that I'm going to set up a whole new page of greatunclehlemer.com just to give you the demo he sent me here for free. It was a bit sloppy but it WAS the first time we'd tried it.
Pete and Carrie Rivard were there and played on opposite sides of the room toward the back, something I'd discussed with Pete on the phone. The small room made the surround sound a very appealing option, with instruments not really requiring amplification. It was a pretty cool effect, even from where I was standing. They played Kansas City, Nebraska, Katherine's Wasteland, and Total Peace with us.
We did the prequest Ron Cey, in which I succumbed to my traditional stumble over my favorite line, the most crucial of the entire song: "Took this long to learn it's okay that the seasons turn".
Another new song was "The Wicklund Rose", one of two songs I've written recently about stuff in my backyard. I really got into it and was glad the room became quiet and seemed to pay attention. (I say seemed only because I don't know for sure. I had my eyes shut.) Karl played a great harmonica solo and some nice answer phrases on the final verse.
The official, colon-heavy "Great Uncle Helmer: Toys For Tots 2010: New Song Showcase: Memphis: I Am The Devil" featuring the debut of that song felt really great to me. I just wrote that song this week about the lies the devil tells us and it still feels immensely powerful to me.
That was one of three fairly new Memphis songs (Wicklund Rose, I Am The Devil, and Hey, Where Mah Shed Done Gone) that were influenced heavily by the Sandy Denny album Where The Time Goes and its pure, beautiful, acoustic, English folk music. Man, that is a beautiful album. I think the last album that inspired me to write three whole songs so quickly and easily was way back in 1999 with Magnetic Fields' 69 Love Songs. They just make it seem so easy and meaningful. (Those were One More Day, Swqeatshirt, and Please Applaud, incidentally.)
In addition to the new songs, we also resurrected The Road Goes Ever On and Palindromes. It was fun to reconnect with these songs we hadn't played in a while. Julio made its live debut as a two verse song. That was satisfying to me. And I loved having the room stomp and clap along on Car of Jonas (where the only instrument was Karl's ukelele) and Total Peace, with Bill there bootlegging it.
Was the haiku joke too subtle? We'll try it again Wednesday.
Karl pulled out his notebook and threw something out that might be called "They Were Talkin' Eva Braun" and I really enjoyed that. His official "Great Uncle Helmer: Toys For Tots 2010: New Song Showcase: Karl: I Ran My Car For President" had a lot of potential as well.
We closed with Powerful Statement, Behind the Curtain, and Illusions of Banjeur and headed out into the night. GUH enjoyed talking to $2 Bill in the freezing cold and I particularly loved the opportunity to tell the self-deprecating story of the time I called the police on a mysterious beeping. It was a great night. Thanks to everyone who came and to Fireroast Mountain Coffee. We hope to see you again Wednesday at the Grand Avenue Dunn Bros. Facebook event.
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